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Discover the latest additions to my collection— handpicked pieces that bring new energy to your space.
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A Quite Resilience, 2026
A Quite Resilience is a series of Linocut prints, observing every day life and routines of Phnom Penh residents. Each work is rooted in a moment captured on my route. Together they reflect the quite resilience of a nation and the fabric of Cambodian life.
Limited Edition
Linocut print on paper, 2026
Edition 1/3
29.7 × 42cm (A3)
Doing her daily rounds, a fellow Phnom Penh resident proudly walks for peace during the time of the Thai-Cambodia border tension. A image depicting the gentle persistence of one Womans request for peace over War.
Linocut print on paper, 2026
Edition 1/3
29.7 × 42cm (A3)
Doing her daily rounds, a fellow Phnom Penh resident proudly walks for peace during the time of the Thai-Cambodia border tension. A image depicting the gentle persistence of one Womans request for peace over War.
Limited Edition
Linocut print on paper, 2026
Edition 1/3
29.7 × 42cm (A3)
Hidden amongst the palms, a figure emerge. As challenging to spot as a tree in the city, the work reflects on the decreasing presence of greenery in the rapidly changing landscape of Phnom Penh. Whilst I’ve found a piece of my own sanctuary, over looking the neighbours back yard, I cannot help but wonder, where have all the trees gone?
Linocut print on paper, 2026
Edition 1/3
29.7 × 42cm (A3)
A monk during his blessing rounds in Phnom Penh. What the mirror cannot see explores the duality between the outward presence and a quite inner reflection. A brief moment where these two states coexist.
Linocut print on paper, 2026
Edition 1/3
29.7 × 42cm (A3)
Hidden amongst the palms, a figure emerge. As challenging to spot as a tree in the city, the work reflects on the decreasing presence of greenery in the rapidly changing landscape of Phnom Penh. Whilst I’ve found a piece of my own sanctuary, over looking the neighbours back yard, I cannot help but wonder, where have all the trees gone?
Limited EditionLinocut print on paper, 2026
Edition 1/3
29.7 × 42cm (A3)
Hidden amongst the palms, a figure emerge. As challenging to spot as a tree in the city, the work reflects on the decreasing presence of greenery in the rapidly changing landscape of Phnom Penh. Whilst I’ve found a piece of my own sanctuary, over looking the neighbours back yard, I cannot help but wonder, where have all the trees gone?
A Common Language
Linocut print on paper, 2026
Edition 1/1
Two individual prints, 20 × 20 cm each
My tiles are inspired by two views of Phnom Penh, one royal and one everyday. The first draws from the Royal Palace, simplifying its architectural forms while incorporating details inspired by Khmer temple roofs. The second is based on the terracotta roof tiles of a neighbouring building seen from my studio window. Together, the designs connect royal architecture with the more modest structures found in Phnom , reflecting the shared visual language and cultural heritage that runs through the city.
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